solstice, binding

You’ve picked quite a time to come visit. The weather ripples unseasonably warm, overzealous June heat usually reserved for dog days of August and July. Dog days: a phenomenon concerning stars and ancient Rome more than panting caninesthe transit of Sirius, brightest star after the sun. This fickle summer arrives in solstice and swelter but has already been felt over and over, already sweat out through every pore.

***

[a small breath prayer, composed in motion]

Inhale: You are a great mystery, God.

Exhale: I do not need all of the answers.

***

Each day, I glide among constellations of my own making, webs linking others through mere perception; gaze and assumption operate like twin heartbeats. On the street, I construe, construct, and elude: passerby seen as best friends, father and son, a couple. How many times am I wrong? Naming for convenience, weaving fables in the absence of piercing truth. I do not want to build my life on such inaccuracies, these minute adjustments and formulas. But what else is there? In what other way can we know the world?

***

“I am content because before me looms the hope of love. / I do not yet have it; I do not yet have it. / It is a bird strong enough to lead me by the rope it bites; / unless I pull, it is strong enough for me. / I do worry the end of my days might come / and I will not yet have it. But even then I will be brave / upon my deathbed, and why shouldn’t I be? / I held things here, and I felt them. / And to all I felt I will whisper hosanna for goodbye. / It is sweet to think of myself, alone at that very moment, / able to say such a thing / to all that was my life, / to all that was not.”

Katie Ford, “Psalm 40”

***

On the bridge’s arc, past flickering golden hour and pavement’s radiating heat, I felt peace with tender step come knocking. I said, Come in at last. I said, I am so very tired of fighting.

***

“I lay out under / A separate sun. Both of us are fine / With this. We picked our place / Under the lid of god and we shut / Our eyes to it every night. That’s what it means / To have loved goodlyto meet / Fate in a lavender hall and walk / Right past it, the white train quivering, / Nostalgia in your wake” Camonghne Felix, “Why I Loved Him”

***

I am gazing at the meadow where little cousins sought fireflies, my fingertips raspberry-stained. I am half-sun and half-shadow, twisting away from insects—the ants that infiltrate the kitchen but shun cinnamon, doggedly swarming up the wall. I am reading words I have read before, knowing they will mean something else now. I am turning the page.

How lush the world is, / how full of things that don’t belong to me—”

***

“it might be years / before you turn and stop, startled / by the sweet and sudden smell of sheets snapping / in the sun, and the drunken lilac, prairie purple, / blooming, by the doorway, because you planted it” Marie Howe, “Keeping Still”

***

Ammi: known as false Queen Anne’s lace or bishop’s weed, a member of the carrot family, a cold-tolerant wildflower, that which constitutes the field; when its unassuming sap meets human skin in sunlight, it can scar and blister for months…

***

“even / a small purple artichoke / boiled / in its own bittered / and darkening / waters / grows tender, / grows tender and sweet / patience, I think, / my species / keep testing the spiny leaves / the spiny heart” —Jane Hirshfield, “My Species”

***

One day of sun, and the world is pure again—it has aspirations. My tote bag crunches rhythmically, the spoils of a picnic grocery run shuffling for space. I am here and here and here. I am far from where I envisioned; I am exactly where I started; I am where I am meant to be.

I am a shadow, moving. My presence here evokes an absence elsewhere, and I see my silhouette bob along the leaves and friends of weeds, across from the cemetery walls too high to climb.

***

“But this morning, a kind day has descended, from nowhere, / and making coffee in the usual way, measuring grounds / with the wooden spoon, I remembered, / this is how things happen, cup by cup, familiar gesture / after gesture, what else can we know of safety / or of fruitfulness?” —Marie Howe, “From Nowhere”

***

On the pier, we nibbled snacks like unanticipated communion—a punnet of blueberries and a delicious orange olive oil doughnut, drawn and quartered. One of our napkins blew into the lake, scarcely a lake but a sea, though I soon leaned over to fetch it as we laughed and a watching man on the shore gave us an enthusiastic thumbs up. I have a theory that perhaps the world awakens at sunset; regardless, we were thinking more than ever of color then. You said I am the grey-blue of my eyes, notes assuring calm and clarity. You are harder to place, the effervescent orange and fuchsia of hibiscus and California poppies. Life is but moments: moments destined to end, moments destined to be lived a hundred times over.

***

Words scribbled, prophetic, in the beginning of May: “May something come of my emptiness. May the Lord make more of my emptiness than I could with my fullness.”

sea garden

The Lord God is a sun and shield… He will withhold no good thing.” -Psalm 84:11

Yesterday: one of those afternoons with glimmers of satisfaction, reflections of abundance that dazzle worn eyes, like those dancing upon a trout-filled river. Bustling home from the library, with books by H.D. and Rilke tucked under my arm. The bundle of daffodils (on sale) I simply could not resist, existing in scattered vases now. Brighten, rejoice, usher in. The cashier paused when she spotted them, cradling their radiance in her hands, and leaned forward to sniff–her tired expression easing into delight. We said so little but knew so much in that fleeting instant of tender human recognition. “Daffodils are my mother’s favorite,” I explained. “They’re mine too,” she answered, passing the blossoms to me for safekeeping. Shine, now, shine.

Scrolling, searching for olive oil cake recipes. With apples? Lemon? Matcha? I settle on one with crushed raspberries and orange zest. My second knitted hat: now complete, in a mustard yellow only Van Gogh has taught me to love. There was just enough yarn. I kept praying it would be so, calculating with every stitch. Please be enough or it will have all been for nothing. Ever afraid of the undoing, of fraying ends unmet. It was enough. What more can I say? It was enough.

Kindness in every face. Free vegan cookies from the man who always takes my coffee order: an oat milk chai with a dash of cinnamon. Talking with a friend about the places that shape us, about letting go. She remarks that she is in a phase of life where she has two paths for her next step, each leading to an entirely different life. She could be content with each, but they remain wholly different. Therein, she would be different. I nod and listen, understanding her ache more than I can express. Somehow, it all comes back to Plath and the fig tree, always.

“I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was… amazing editor, and another fig was Europe and Africa and South America, and another fig was… a pack of lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn’t quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn’t make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.” -Sylvia Plath, The Bell Jar

A bowl full of clementines, a bowl full of pears. My friend’s cactus, Bert, awaiting her return from England. The precarious pile of books by my bed: Impressionism, Fashion, & Modernity; Women Artists: The Linda Nochlin Reader; Letters to a Young Poet; Memorial; Every Riven Thing. These are moments I’ll never get back, and I wish I could fully live them. Sometimes I do. Someone said the other day that we are all trapped in “survival mode,” experiencing collective trauma, and we cannot begin healing until the trauma is over. After all, a wound cannot close with the knife still inside. Like Danez Smith, I pray ruin ends here. Let this be the healing / & if not let it be.

“Right when I first saw you, I knew you were a writer.” “Really?”

Aubade

I said, ‘Oh, that I had the wings of a dove! I would fly away and be at rest. I would flee far away and stay in the wilderness; I would hurry to my place of shelter, far from the tempest and the storm.'” Psalm 55:6-8

The Nesting

“But you are not a dove.” The reproachful echo resounds, echoing in my skull.

And yet, so often, I cling to my perceived agency, gaze firmly upon the skies.

I fixate in formulaic verbosity; I validate my foibles and fears.

Daydreams of nostalgic yesterday oft overtake present joys.

Phantom pains from missing wings skeletally ricochet.

Now I pluck at twigs, yearning to create something new, to find contentment here.

The Singing

Fragile frame. Twinkling song. Sharp, observant eyes.

The nightingale welcomes me into her nest, and I humbly accept.

“What’s your story?”

An inquisitive tilt of the head, expectant.

The words are slow, manifesting like molasses.

They are elusive, shifting in shadows I cannot grasp.

Yet the silence is somehow entirely right, and I need not rush to fill it.

I sip my tea, breathe in, and begin.

The pause just before birdsong greets the dawn.